Zaxcom Nomad LiteZaxcom Nomad LiteZaxcom Nomad Lite

3.946,80  (4.775,63  Imp. Inc.)

completo sistema de grabación de sonido para exteriores
. grabador 10 pistas, mezclador 10 canales, con almacén de baterías
. tamaño compacto, peso ligero y bajo consumo“Nomad Lite, Nomad 10 y Nomad 12. complete location sound recording system . 10 y 12 recorded tracksNeverClip . compact size, light weight, low power consumption”

SKU: ZX-NOMAD LITE Categoría: Etiquetas: ,

Descripción

ver descripción del producto en “Nomad, descripción general”

Preguntas Frecuentes

Description

Nomad Lite is a complete location sound recording system for video productions. Specifically designed for over the shoulder use, it provides all the functionality necessary to mix and record in a power efficient space-saving package. Nomad Lite has a complete set of DSP effects to give you the tools to not just mix and capture tracks but to provide a level of quality not possible with analog based mixing. 10 recorded tracks, NeverClip, Visual timecode slate and MARF ultra high reliability file system are some of the unique features that add to the value of Nomad Lite . A combination of compact size, light weight, low power consumption and integrated features make Nomad Lite the perfect choice for any sound bag.

Nomad Lite is the simplest to use of all the Nomad mixer/recorders. All mixing and monitoring functions are directly accessible from the control panel. Nomad Lite offers the right combination of track count, DSP Effects, analog inputs, mix busses and digital mixing at an unmatched price point. Best of all Nomad Lite can be upgraded to other Nomad models as your needs change.

The Nomad Lite mixer can send three independent stereo mixes to five cameras. It will record any combination of its six output busses and the 10 analog isolated inputs for a total of up to 10 tracks. With Nomad Lite all 10 analog inputs are instantly available for control via the six rotary faders and the menu encoder. This eliminates the need for external add on fader hardware keeping Nomad Lite as small and light as possible. All of Nomad Lite’s mixing functions can be stored in memory for instant access or stored to removable memory cards.

Nomad 10 is a complete location sound recording system for video productions. It provides all the functionality necessary to mix and record in a power efficient space-saving package. Nomad 10 has a complete set of DSP effects to give you the tools to not just mix and capture tracks but to provide a level of quality not possible with analog based mixing. 10 recorded tracks, ZaxNet, NeverClip™, auto-mixer, linear fader control (with Mix-8), visual timecode slate and MARF ultra high reliability file system are some of the unique features that add to the value of Nomad 10. A combination of compact size, light weight, low power consumption and integrated features make Nomad 10 the perfect choice for any sound bag or cart.

All mixing and monitoring functions are directly accessible from the control panel. Nomad 10 offers the right combination of track count, DSP Effects, analog inputs, mix busses and digital mixing at an unmatched price point.

The Nomad 10 mixer can send three independent stereo mixes to five cameras. It will record 10 tracks from its internal mix busses. All 10 analog inputs are instantly available for control via the six rotary faders and the menu encoder. This eliminates the need for external add on fader hardware keeping Nomad 10 as small and light as possible. All of the mixing functions can be stored in memory for instant access or stored to an external memory card.

Nomad 12 is a complete location sound recording system for video productions. It provides all the functionality necessary to mix and record in a power efficient space-saving package. Nomad 12 has a complete set of DSP effects to give you the tools to not just mix and capture tracks but to provide a level of quality not possible with analog based mixing. 12 recorded tracks, ZaxNet, NeverClip™, auto-mixer, linear fader control (with Mix-8), visual timecode slate and MARF ultra high reliability file system are some of the unique features that add to the value of Nomad 12. A combination of compact size, light weight, low power consumption and integrated features make Nomad 12 the perfect choice for any sound bag or cart.

All mixing and monitoring functions are directly accessible from the control panel. Nomad 12 offers the right combination of track count, DSP Effects, analog inputs, mix busses and digital mixing at an unmatched price point.

The Nomad 12 mixer can send three independent stereo mixes to five cameras. It will record 12 tracks from its internal mix busses. All 10 analog inputs are instantly available for control via the six rotary faders and the menu encoder. This eliminates the need for external add on fader hardware keeping Nomad 12 as small and light as possible. All of the mixing functions can be stored in memory for instant access or stored to an external memory card.

The Digital Mixing Advantage

Nomad’s digital mixing engine provides zero distortion, zero noise, and far greater dynamic range than is possible with an analog mixing solution. Nomads digital mixer always provides a phase and time coherent audio path for every analog input to each output.

The mixer has a special feature that ensures that the headphone monitor is always a true reflection of the Nomad output busses and recording tracks.

If any bus is over-driven the headphone will always correctly mirror the condition no matter the volume of the headphone or the output level of the buss output. All of Nomads DSP based mixing functions are cross faded. This eliminates the clicks and pops common to hardware control of analog mixers.

NeverClip (Patent Pending)

A sound recording engineer is always judged by the quality of the recorded mix tracks. The tracks must be as high dynamic range as possible without clipping. Often tracks do not have enough level or contain a high degree of limiter distortion.

NeverClip features a dual A-D converter design that extends the dynamic range of the Nomad input to an unmatched 137 dB. NeverClip eliminates the need for hard input limiters that can distort the track before it can be mixed. All Nomad tracks provide a better dynamic range and lower distortion than is possible with analog mixers. With NeverClip, input trim adjustment pots are not needed during a live production and audio can be recorded at a higher level to ease post-production.

Soft Knee Compressor
Nomad’
s Soft Knee Compressors with look-ahead processing capability and fully user adjustable parameters allow for precise control of output and recorded track levels. Use just the right amount of compression required to keep the audio tracks sounding natural while limiting them to the desired dynamic range.

The 32 bit DSP compressor algorithm is ultra smooth and totally consistent from channel to channel. A side-chain input is used to link compressor action when appropriate. This is necessary for MS and Surround microphone recording. A Soft Knee Compressor is also included on every input for artistic effect.

ZaxNet (only in Nomad 10 and Nomad 12)
The Nomad 10 and Nomad 12 contains an integrated Zaxnet radio frequency transceiver. This ground breaking feature integrates 4 main functions into Nomad. Via Zaxnet, an IFB audio channel is transmitted to multiple Zaxcom ERX2TCD audio monitor receivers. Personal audio delay capability is included to keep picture and sound monitoring in perfect sync for all on-set clients. Digital IFB audio quality and the ability to instantly route the source from any combination of 16 busses will make the Zaxnet IFB system a standout for both production sound mixers and their clients. Zaxnet simultaneously distributes SMPTE time code and audio to ERX2TCD receivers. When the ERX2TCD receiver is connected to camera there is no need to manually jam time code. All Zaxnet time code is free from timing errors and drift. This feature eliminates the need for separate TC sync boxes and separate RF time code transmission systems.Zaxcom’s wireless microphones are directly controlled from the Nomad 10 or Nomad 12 via Zaxnet transmission. Audio gain, wireless frequency, RF power level and transmitter recording control are all seamlessly integrated into the system.

IFB monitoring from camera mounted receivers is integrated directly into the headphone monitor system. When utilized with the Zaxcom QRX100 (with IFB option) allows for direct wireless monitoring of confidence audio from up to 6 cameras.

Auto-mixer (only in Nomad 10 and Nomad 12)
In Nomad 12, a 10 channel auto-mixer will aid in the mixing of unscripted dialog. Control of 10 channels of audio under any circumstance is a daunting task. The auto-mixer provides a constant noise floor to make a seamless automatic mix.
In Nomad 10, a 6 channel auto-mixer will aid in the mixing of unscripted dialog. Control of 6 channels of audio under any circumstance is a daunting task. The auto-mixer provides a constant noise floor to make a seamless automatic mix.

Input Delay
Nomad‘s input delay feature is key to turning in tracks that are properly timed. Only the sound mixer on location knows the proper delay on each microphone input due to microphone position and inherent delay of wireless microphones vs hard wired microphones. Proper use of the input delay feature can eliminate comb filter effects common to multiple channels that mix together with the same audio content. The Nomad always maintains its audio outputs and recorded tracks in a perfect phase and time relationship eliminating mixing problems in post.

Notch filters
Each input channel has 2 adjustable Notch filters. This powerful tool when activated can eliminate AC power hum, lighting noise and other unwanted sounds before they can find their way to the client. The filters are very narrow and do not effect the quality of the recorder audio. Notch filters can often make an unusable track usable.

Integrated timecode slate (Patent Pending)
Nomad’s
have a time code slate feature that can eliminate the need for external time code slates. Just press the time code button and large time code display characters are instantly displayed on the LCD display in the correct orientation to be photographed by the video camera. A beep tone is inserted into the designated audio tracks when the slate function is activated. The integrated time code slate is all that is needed for post to verify sync between picture and sound. Because the slate is generated directly from the Nomad’s timecode generator there is never any timing error between the two.

Headphone Monitoring
The headphone output can drive any headphone with a powerful ultra low-noise output. The headphone is specially designed to always reflect the distortion of any output or recorded track. The Nomad’s headphone monitoring system provides 12 user definable configurations. Any combination of output busses, record tracks and camera returns can be monitored and identified with user defined labels. A second headphone output with independent routing is also provided.

Com and Slate
The ”Com” and ”Slate” communication channels are used to control the internal or external slate microphone input. Each of the two functions are independently routable to each card track and bus output. The external mic input is compatible with both powered and dynamic microphones.

Surround and MS Recording

The six hardware faders can be routed to any or all of the six mic/line inputs. This makes Nomad the perfect choice for recording of surround microphones where precise gain control of multiple channels is required often by a single rotary fader. When multiple channels are set up for multi channel microphones the Nomad soft knee compressors will be linked via a side chain. This keeps the gain equal on all channels even when one of the microphone inputs is in compression. This keeps all audio channels in their proper gain and phase relationships. Since all of Nomad‘s processing is in the digital domain the compressors will always act with exactly the same gain reduction and timing parameters. This yields results not possible with analog mixers with hard limiters.

MARF
Nomad uses Zaxcom’s MARF (Mobile Audio Recording Format) file system. The MARF system is the most reliable way to record audio files with battery powered hardware. If power is lost during your recording session there is never any audio loss or memory corruption. Open files are properly closed and recording can continue when power is restored. Media directories are written only when needed therefore MARF dramatically increases the reliability of the recordings over FAT32 file systems. MARF is directly compatible with PC and MAC for file transfer when using the free ZaxConvert utility.

Nomad Control Surface
Nomad’s control surfaces improves on the pots and switches used on analog mixers. With NeverClip, input trim controls are no longer needed to control input levels during a live mix and are not present on the control surface. The PFL function remembers the last state of the PFL mix so any combination of channels can be monitored pre-fader with the push of a single button. Bus routing to the 6 output busses is instantly viewed and controlled via the home screen. This replaces the multiple push pots and routing menus necessary to do the same job on hardware/software based mixers. All settings can be stored and recalled for instant and total configuration of the Nomad. The control surface of Nomad is an intuitive space-saving open design that is in step with the technology it controls.

Mix-8 Linear Fader Control Surface (only in Nomad 10 and Nomad 12)
Nomad 10 and Nomad 12 supports control from Zaxcom linear fader control surfaces. At home in either the sound bag or on the sound cart, Nomad’s value is enhanced by its flexible use on any production sound job. With Mix-8 compatibility Nomad 10 and Nomad 12 is a perfect backup recorder for the Deva or Fusion. (Mix-12 has limited support, you can utilize it’s faders, input trim and input meters)

The Nomad system
Nomad Lite
is one of three Nomad models that can grow and adapt as the needs of the production sound mixer change. Other models feature IFB transmission, time-code distribution, wireless remote control, auto-mixer, USB storage and AES inputs.

The Nomad is a cost effective and time tested solution. Just as analog recording is no longer used in location sound, analog mixing will be phased out due to its inherent shortcomings relative to all digital mixing and effects processing. Nomad’s digital design is key to its future value and longevity in the market place. We at Zaxcom are proud to bring Nomad to you and the location sound industry.

Technical Specifications

Nomad Lite

Analog In

6 Mic/line-level with 48V phantom power
4 line-level (camera return or mix inputs)

Connector

6 x XLR-3F / 2 x TA5

Mic level input range

dBu

-56 to -26

Line level input range

dB

-10 to +8

Distortion

%

0.0015

ADC bit-depth

bits

24

ADC dynamic range

dB

125

Clipping level

dBu

+28

Frequency response

20 Hz to 22 kHz (38 kHz sampling-rate)

THD + noise

%

0.0015

Slate mic input

External balanced / unbalanced with bias

Analog Out

dBu

4 Balanced XLR, 0, -10 and -30
3 Balanced TA5 (6 bus) 0, -10 and -30

Tape/mono output

dBu

2 unbalanced 3.5mm, 0, -10 and -30

Headphone

1: 1/4 inch stereo bus
2: 3.5mm stereo bus

Output level:

dBFS

0 dBu @ -20

Clipping level

dBu

+20

DAC Bit-depth

Bits

24

DAC Dynamic Range

dB

115

Impedance

ohm

30

Digital Out

Channel count

3 AES pairs (6 channels)

Connector

DB-15 mini (DE-15)

Source

Mix/Direct

Recording

Track count

10 tracks

Bit-depth (primary card):

bits

24

Bit-depth (mirror card):

bits

16 / 24

Sample rates

kHz

44.1, 47.952, 48, 48.048, 96

Head room

dB

12 to 20

Format (primary card)

MARF II

Format (mirror card)

FAT32

File format (primary card)

.ZAX

File format (mirror card)

BWF-P

Dual disk recording

Yes

Max Pre-record duration

10 seconds

Data Storage

Internal

2 x Compact Flash

External

NoneInternal Mixer

Mixer Type

bit

32 floating point DSP

Mixer Cross Point

10 input x 6 output (Pre-fader / Post-fader / Phase Inversion)

A-D / D-A resolution:

bit

24

Head room:

dB

Selectable 12 to 20

Effects

Delay

mS

0 to 60 in .1mS steps

Notch filter

2 band, 20 Hz to 20 kHz frequency range adjustable

Compressor type

soft knee with side chain

High Pass Filter

Hz

20 to 230

Timecode Reader/Generator

Timecode type

SMPTE

Connector

BNC

Input Voltage:

VPP

1-4

Output Voltage:

VPP

2

Clock Accuracy

PPM

1.54 (1 frame out in 6 hours)

Timecode Frame-rates

23.98, 24, 25, 29.97NDF, 29.97DF, 30NDF, 30DF

Power

Internal

VDC

6AA 7-9 1-3 hours of usage (NiMh)

External

VDC

10 to 18

External Power

VDC

8 to 18 @ 300mA

Power Connecter

Hirose

Battery Meter

Yes, on LCD display

Physical

Size

2.0 x 9.9 x 7.0(H x W x D) while looking at screen

Weight

3.8 pounds with internal batteries

Misc.

Display

Full color sunlight readable LCD

Meters

Output / Input / Card

Slate Mic:

Internal / External

Serial/RS-422

1 x 4-Pin USB style

Serial Port

Zaxcom Proprietary

Compatible with Mix-8:

No

All Specifications subject to change without notice

FAQ

Descrição

Nomad Lite is a complete location sound recording system for video productions. Specifically designed for over the shoulder use, it provides all the functionality necessary to mix and record in a power efficient space-saving package. Nomad Lite has a complete set of DSP effects to give you the tools to not just mix and capture tracks but to provide a level of quality not possible with analog based mixing. 10 recorded tracks, NeverClip, Visual timecode slate and MARF ultra high reliability file system are some of the unique features that add to the value of Nomad Lite . A combination of compact size, light weight, low power consumption and integrated features make Nomad Lite the perfect choice for any sound bag.

Nomad Lite is the simplest to use of all the Nomad mixer/recorders. All mixing and monitoring functions are directly accessible from the control panel. Nomad Lite offers the right combination of track count, DSP Effects, analog inputs, mix busses and digital mixing at an unmatched price point. Best of all Nomad Lite can be upgraded to other Nomad models as your needs change.

The Nomad Lite mixer can send three independent stereo mixes to five cameras. It will record any combination of its six output busses and the 10 analog isolated inputs for a total of up to 10 tracks. With Nomad Lite all 10 analog inputs are instantly available for control via the six rotary faders and the menu encoder. This eliminates the need for external add on fader hardware keeping Nomad Lite as small and light as possible. All of Nomad Lite’s mixing functions can be stored in memory for instant access or stored to removable memory cards.

Nomad 10 is a complete location sound recording system for video productions. It provides all the functionality necessary to mix and record in a power efficient space-saving package. Nomad 10 has a complete set of DSP effects to give you the tools to not just mix and capture tracks but to provide a level of quality not possible with analog based mixing. 10 recorded tracks, ZaxNet, NeverClip™, auto-mixer, linear fader control (with Mix-8), visual timecode slate and MARF ultra high reliability file system are some of the unique features that add to the value of Nomad 10. A combination of compact size, light weight, low power consumption and integrated features make Nomad 10 the perfect choice for any sound bag or cart.

All mixing and monitoring functions are directly accessible from the control panel. Nomad 10 offers the right combination of track count, DSP Effects, analog inputs, mix busses and digital mixing at an unmatched price point.

The Nomad 10 mixer can send three independent stereo mixes to five cameras. It will record 10 tracks from its internal mix busses. All 10 analog inputs are instantly available for control via the six rotary faders and the menu encoder. This eliminates the need for external add on fader hardware keeping Nomad 10 as small and light as possible. All of the mixing functions can be stored in memory for instant access or stored to an external memory card.

Nomad 12 is a complete location sound recording system for video productions. It provides all the functionality necessary to mix and record in a power efficient space-saving package. Nomad 12 has a complete set of DSP effects to give you the tools to not just mix and capture tracks but to provide a level of quality not possible with analog based mixing. 12 recorded tracks, ZaxNet, NeverClip™, auto-mixer, linear fader control (with Mix-8), visual timecode slate and MARF ultra high reliability file system are some of the unique features that add to the value of Nomad 12. A combination of compact size, light weight, low power consumption and integrated features make Nomad 12 the perfect choice for any sound bag or cart.

All mixing and monitoring functions are directly accessible from the control panel. Nomad 12 offers the right combination of track count, DSP Effects, analog inputs, mix busses and digital mixing at an unmatched price point.

The Nomad 12 mixer can send three independent stereo mixes to five cameras. It will record 12 tracks from its internal mix busses. All 10 analog inputs are instantly available for control via the six rotary faders and the menu encoder. This eliminates the need for external add on fader hardware keeping Nomad 12 as small and light as possible. All of the mixing functions can be stored in memory for instant access or stored to an external memory card.

The Digital Mixing Advantage

Nomad’s digital mixing engine provides zero distortion, zero noise, and far greater dynamic range than is possible with an analog mixing solution. Nomads digital mixer always provides a phase and time coherent audio path for every analog input to each output.

The mixer has a special feature that ensures that the headphone monitor is always a true reflection of the Nomad output busses and recording tracks.

If any bus is over-driven the headphone will always correctly mirror the condition no matter the volume of the headphone or the output level of the buss output. All of Nomads DSP based mixing functions are cross faded. This eliminates the clicks and pops common to hardware control of analog mixers.

NeverClip (Patent Pending)

A sound recording engineer is always judged by the quality of the recorded mix tracks. The tracks must be as high dynamic range as possible without clipping. Often tracks do not have enough level or contain a high degree of limiter distortion.

NeverClip features a dual A-D converter design that extends the dynamic range of the Nomad input to an unmatched 137 dB. NeverClip eliminates the need for hard input limiters that can distort the track before it can be mixed. All Nomad tracks provide a better dynamic range and lower distortion than is possible with analog mixers. With NeverClip, input trim adjustment pots are not needed during a live production and audio can be recorded at a higher level to ease post-production.

Soft Knee Compressor
Nomad’
s Soft Knee Compressors with look-ahead processing capability and fully user adjustable parameters allow for precise control of output and recorded track levels. Use just the right amount of compression required to keep the audio tracks sounding natural while limiting them to the desired dynamic range.

The 32 bit DSP compressor algorithm is ultra smooth and totally consistent from channel to channel. A side-chain input is used to link compressor action when appropriate. This is necessary for MS and Surround microphone recording. A Soft Knee Compressor is also included on every input for artistic effect.

ZaxNet (only in Nomad 10 and Nomad 12)
The Nomad 10 and Nomad 12 contains an integrated Zaxnet radio frequency transceiver. This ground breaking feature integrates 4 main functions into Nomad. Via Zaxnet, an IFB audio channel is transmitted to multiple Zaxcom ERX2TCD audio monitor receivers. Personal audio delay capability is included to keep picture and sound monitoring in perfect sync for all on-set clients. Digital IFB audio quality and the ability to instantly route the source from any combination of 16 busses will make the Zaxnet IFB system a standout for both production sound mixers and their clients. Zaxnet simultaneously distributes SMPTE time code and audio to ERX2TCD receivers. When the ERX2TCD receiver is connected to camera there is no need to manually jam time code. All Zaxnet time code is free from timing errors and drift. This feature eliminates the need for separate TC sync boxes and separate RF time code transmission systems.Zaxcom’s wireless microphones are directly controlled from the Nomad 10 or Nomad 12 via Zaxnet transmission. Audio gain, wireless frequency, RF power level and transmitter recording control are all seamlessly integrated into the system.

IFB monitoring from camera mounted receivers is integrated directly into the headphone monitor system. When utilized with the Zaxcom QRX100 (with IFB option) allows for direct wireless monitoring of confidence audio from up to 6 cameras.

Auto-mixer (only in Nomad 10 and Nomad 12)
In Nomad 12, a 10 channel auto-mixer will aid in the mixing of unscripted dialog. Control of 10 channels of audio under any circumstance is a daunting task. The auto-mixer provides a constant noise floor to make a seamless automatic mix.
In Nomad 10, a 6 channel auto-mixer will aid in the mixing of unscripted dialog. Control of 6 channels of audio under any circumstance is a daunting task. The auto-mixer provides a constant noise floor to make a seamless automatic mix.

Input Delay
Nomad‘s input delay feature is key to turning in tracks that are properly timed. Only the sound mixer on location knows the proper delay on each microphone input due to microphone position and inherent delay of wireless microphones vs hard wired microphones. Proper use of the input delay feature can eliminate comb filter effects common to multiple channels that mix together with the same audio content. The Nomad always maintains its audio outputs and recorded tracks in a perfect phase and time relationship eliminating mixing problems in post.

Notch filters
Each input channel has 2 adjustable Notch filters. This powerful tool when activated can eliminate AC power hum, lighting noise and other unwanted sounds before they can find their way to the client. The filters are very narrow and do not effect the quality of the recorder audio. Notch filters can often make an unusable track usable.

Integrated timecode slate (Patent Pending)
Nomad’s
have a time code slate feature that can eliminate the need for external time code slates. Just press the time code button and large time code display characters are instantly displayed on the LCD display in the correct orientation to be photographed by the video camera. A beep tone is inserted into the designated audio tracks when the slate function is activated. The integrated time code slate is all that is needed for post to verify sync between picture and sound. Because the slate is generated directly from the Nomad’s timecode generator there is never any timing error between the two.

Headphone Monitoring
The headphone output can drive any headphone with a powerful ultra low-noise output. The headphone is specially designed to always reflect the distortion of any output or recorded track. The Nomad’s headphone monitoring system provides 12 user definable configurations. Any combination of output busses, record tracks and camera returns can be monitored and identified with user defined labels. A second headphone output with independent routing is also provided.

Com and Slate
The ”Com” and ”Slate” communication channels are used to control the internal or external slate microphone input. Each of the two functions are independently routable to each card track and bus output. The external mic input is compatible with both powered and dynamic microphones.

Surround and MS Recording

The six hardware faders can be routed to any or all of the six mic/line inputs. This makes Nomad the perfect choice for recording of surround microphones where precise gain control of multiple channels is required often by a single rotary fader. When multiple channels are set up for multi channel microphones the Nomad soft knee compressors will be linked via a side chain. This keeps the gain equal on all channels even when one of the microphone inputs is in compression. This keeps all audio channels in their proper gain and phase relationships. Since all of Nomad‘s processing is in the digital domain the compressors will always act with exactly the same gain reduction and timing parameters. This yields results not possible with analog mixers with hard limiters.

MARF
Nomad uses Zaxcom’s MARF (Mobile Audio Recording Format) file system. The MARF system is the most reliable way to record audio files with battery powered hardware. If power is lost during your recording session there is never any audio loss or memory corruption. Open files are properly closed and recording can continue when power is restored. Media directories are written only when needed therefore MARF dramatically increases the reliability of the recordings over FAT32 file systems. MARF is directly compatible with PC and MAC for file transfer when using the free ZaxConvert utility.

Nomad Control Surface
Nomad’s control surfaces improves on the pots and switches used on analog mixers. With NeverClip, input trim controls are no longer needed to control input levels during a live mix and are not present on the control surface. The PFL function remembers the last state of the PFL mix so any combination of channels can be monitored pre-fader with the push of a single button. Bus routing to the 6 output busses is instantly viewed and controlled via the home screen. This replaces the multiple push pots and routing menus necessary to do the same job on hardware/software based mixers. All settings can be stored and recalled for instant and total configuration of the Nomad. The control surface of Nomad is an intuitive space-saving open design that is in step with the technology it controls.

Mix-8 Linear Fader Control Surface (only in Nomad 10 and Nomad 12)
Nomad 10 and Nomad 12 supports control from Zaxcom linear fader control surfaces. At home in either the sound bag or on the sound cart, Nomad’s value is enhanced by its flexible use on any production sound job. With Mix-8 compatibility Nomad 10 and Nomad 12 is a perfect backup recorder for the Deva or Fusion. (Mix-12 has limited support, you can utilize it’s faders, input trim and input meters)

The Nomad system
Nomad Lite
is one of three Nomad models that can grow and adapt as the needs of the production sound mixer change. Other models feature IFB transmission, time-code distribution, wireless remote control, auto-mixer, USB storage and AES inputs.

The Nomad is a cost effective and time tested solution. Just as analog recording is no longer used in location sound, analog mixing will be phased out due to its inherent shortcomings relative to all digital mixing and effects processing. Nomad’s digital design is key to its future value and longevity in the market place. We at Zaxcom are proud to bring Nomad to you and the location sound industry.

Especificações Técnicas

Nomad Lite

Analog In

6 Mic/line-level with 48V phantom power
4 line-level (camera return or mix inputs)

Connector

6 x XLR-3F / 2 x TA5

Mic level input range

dBu

-56 to -26

Line level input range

dB

-10 to +8

Distortion

%

0.0015

ADC bit-depth

bits

24

ADC dynamic range

dB

125

Clipping level

dBu

+28

Frequency response

20 Hz to 22 kHz (38 kHz sampling-rate)

THD + noise

%

0.0015

Slate mic input

External balanced / unbalanced with bias

Analog Out

dBu

4 Balanced XLR, 0, -10 and -30
3 Balanced TA5 (6 bus) 0, -10 and -30

Tape/mono output

dBu

2 unbalanced 3.5mm, 0, -10 and -30

Headphone

1: 1/4 inch stereo bus
2: 3.5mm stereo bus

Output level:

dBFS

0 dBu @ -20

Clipping level

dBu

+20

DAC Bit-depth

Bits

24

DAC Dynamic Range

dB

115

Impedance

ohm

30

Digital Out

Channel count

3 AES pairs (6 channels)

Connector

DB-15 mini (DE-15)

Source

Mix/Direct

Recording

Track count

10 tracks

Bit-depth (primary card):

bits

24

Bit-depth (mirror card):

bits

16 / 24

Sample rates

kHz

44.1, 47.952, 48, 48.048, 96

Head room

dB

12 to 20

Format (primary card)

MARF II

Format (mirror card)

FAT32

File format (primary card)

.ZAX

File format (mirror card)

BWF-P

Dual disk recording

Yes

Max Pre-record duration

10 seconds

Data Storage

Internal

2 x Compact Flash

External

NoneInternal Mixer

Mixer Type

bit

32 floating point DSP

Mixer Cross Point

10 input x 6 output (Pre-fader / Post-fader / Phase Inversion)

A-D / D-A resolution:

bit

24

Head room:

dB

Selectable 12 to 20

Effects

Delay

mS

0 to 60 in .1mS steps

Notch filter

2 band, 20 Hz to 20 kHz frequency range adjustable

Compressor type

soft knee with side chain

High Pass Filter

Hz

20 to 230

Timecode Reader/Generator

Timecode type

SMPTE

Connector

BNC

Input Voltage:

VPP

1-4

Output Voltage:

VPP

2

Clock Accuracy

PPM

1.54 (1 frame out in 6 hours)

Timecode Frame-rates

23.98, 24, 25, 29.97NDF, 29.97DF, 30NDF, 30DF

Power

Internal

VDC

6AA 7-9 1-3 hours of usage (NiMh)

External

VDC

10 to 18

External Power

VDC

8 to 18 @ 300mA

Power Connecter

Hirose

Battery Meter

Yes, on LCD display

Physical

Size

2.0 x 9.9 x 7.0(H x W x D) while looking at screen

Weight

3.8 pounds with internal batteries

Misc.

Display

Full color sunlight readable LCD

Meters

Output / Input / Card

Slate Mic:

Internal / External

Serial/RS-422

1 x 4-Pin USB style

Serial Port

Zaxcom Proprietary

Compatible with Mix-8:

No

All Specifications subject to change without notice

Preguntas Frecuentes

Información adicional

Marca

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